Niceness never made a lively kitty

Now the sneaking serpent walks
In mild humility,
And the just man rages in the wilds
Where lions roam.

LATELY I’VE BEEN HAUNTED that I’ll have a tombstone that reads, “he was a nice chap; you know, a good sort.” I probably will never have a tombstone because I’ve decided to donate my organs–I’m even thinking of composting the rest. But if I do have some kind of memorial–say a bench in the park–I do not want the epitaph to have anything to do with niceness. I was nice for a long time and ended up worshiping the opinions of other people.

Niceness is the enemy of greatness

The more I look at lives that transcend the cul-de-sacs of our imagination–world changing lives–I have become aware of three characteristics: obedience (!), integrity, and a kind of deliberate recklessness.

I’d like to have three cups of tea with Desmond Tutu. He is probably kind. This has nothing to do with niceness. His life is marked by obedience to his Hoy Orders; people who transcend “niceness” are obedient to a higher calling.

This is counterintuitive: we associate obedience with weakness. I couldn’t agree less: “The hottest places in hell,” writes Dante, “are reserved for those who neither loved nor rebelled against God.” In other words, perhaps, they are nice chaps–the good sort–always careful, cautious and innocuous. They never worry about making people angry, and aim to please people, before all else.

This isn’t a call to “get religion”; it’s a reminder that as humans we are primally given to worship. When we choose a higher calling we are more likely to change the world.

Character marks an adult. We know people with character from a mile a way. Wrinkles from grinning and gritting are marks of greatness, and should never be botox’d off.

People of strong character do not define their lives by things; they define the nature of things by their lives. People with character both suffer and succeed peacefully; they are unmoved by the modulations of popular opinion.

Again, in reference to Tutu, we tend to think of him as a kind of saintly, sweet older man. That said, he has openly worked against apartheid, tuberculosis, homophobia, xenophobia, and all matter of oppression. According to the mores of South Africa in the 1990s, this wasn’t “nice”; he was perfectly dangerous.

When we are young, many of us are told to “be careful,” “watch out,” “don’t touch,” “that’s hot.” “Do not touch, do not taste, do not drink”–this is the stuff of bad religion–theistic and atheistic. (A trip through the magazine aisle at Whole Foods reminds me that believers don’t have the market cornered on bad religion). This makes mice of men; ego foragers in the graylight of the dusky mind.

Sometimes I feel the optimist’s creed is nihilism with a sundress.

World changers like Tutu have kind of re-learned recklessness. “Relearned,” because it inborn. A child is born in a state of nearly constant abandon and learning and growth. Sylvia Plath didn’t write poetry because it was pretty, or cute. Plath wrote poetry to assault and obliterate and speak true (“Daddy I have to kill you”).

With Tutu, I’d say that “we’ll be surprised by the people we see in heaven.”

“God,” he continues “has a soft spot for sinners.”

Quote by W Blake
Photo by Nessa

I’m turning 31 in September (!). Based on some of the mindful reflections on age I’ve been reading, I’ve decided to share some of the internal updates ad upgrades for my new internal operating software, XXXI.

Its beta-name is “great expectations,” and is designed for a bearded geek (though the she-geek in the sundress might also find it operable). It starts with the belief premise that something good will happen today. It reboots each morning.

This is post-logical rattletrap thinking, but dammit, we’ve had too much logic (nods to Michel Foucault); and in the dredge where Derrida died I’m raising a small green flag for great expectations.

SO, when that fat pimply kid sits next to me in the coach section on my way back to Brazil, I’m going to imagine that this is something good. Teaching has taught me how there is most often a blazing, beautiful being in that fat pimply kid–and that he’s angsting that all-American media is telling him he is just a damnable husk.

When in a traffic jam I will not think (as I have), I’m paying for society’s sins. This is, possibly, true. But I can design my life to get out of jams, Houdini-style, and stop blaming the go-to-shouts and murmurs. Most of my problems are a lack of imagination. There is no such thing as a traffic jam when I’ve got Ira Glass or some new Audible text. There’s only freewheelin’ slo-mo freetime.

I (we?) want more than irony and resting on the fat-ass of circumstances and happenstances. Great expectations OS 31 is the inheritance of being a son or daughter in company of all the angellic no-see-ums that have been too-long clap-trapped by the gatekeepers of our imagination (TV and traffic and Perfectionism Media, Inc.).

Voldemort is dead and gone and we’re looking for a new Potterdom; Murdoch and Soros are scandalized and dying.

Anderson “Ace” Cooper probably measures his Captain America journalism against Peter Jenning’s gritty network coverage. Jennings died in 1995 because his lungs were filled with tar. So it goes.

All others’ expectations scatter and smatter our energies to the four souless winds. If we measure our value as individuals against others we are bound and drawn and quartered by envy or the more insidious modulations of wrong pride.

Every mental operating system begins with a belief premise and my premise is we don’t need an explanation for our great expectations. To have great expectations, I need to clear out this logismoi that I owe something to somebody everyday. When this wrong thought is repleaced by a beautiful vacuum–a great expectation capacitor.

Suddenly this white-hot freedom sets in that moves through that guy, and not from that guy; light-energy is moved in and out (e=mc2 + holy-sh*t!) and the world ends up a little more fiery–a bit more loooominescent–when that guy walks through the room.

No yoga or abs or nods or trophies or accolades or brains or possies or jaw-lines or brainstems or firm hairlines or vibram-5-fingers or ass-shaping jeans or SSRIs or credit lines required.

Only and just an immense expectation capacity: It’s when we lay aside our aptitudes, stop exploiting our talents that we sink into the personal, loving Big-Bang that re-bangs every livelong day.

It’s still in beta (until Septermber 5th, 2011 anno domini), but the test begins now-ow-ow-ow-ow-ow…

The Padres won last night, if anyone cares (11-3). It was strange experience for me. First of all, because I went: I never go to giant places with throngs of lurching, screaming people.

But there I was: row 233, aisle 11, Petco Park–the Friar’s new stadium, built almost seamlessly into the old brick shipping buildings and adjacent to San Diego Bay. It is a beautiful stadium, and I love the idea of the baseball park: fresh grass, jumbotron, hotdogs, hawkers, overpriced fermented corn syrup, and the crazy marine with a Panda hat screaming out existential pain by damning Zito.

In related news, I’ve been rereading Rilke’s “Letters to a Young Poet.” In letter two, he describes the sense that, when all is quiet, one must ask himself the question, “must I write?” If the answer is a resounding yes, he will find himself a step or two detached from his fellows. I felt I must write, when the jumbotron was featuring the marine  ”flex-cam”–an opportunity for men to show off their guns. The guy behind me spilled beer on my shirt as he flexed and grunted and yelled.

“Zito, you suck! $125 million dollar piece of sh*t.”

Then again, I hear Zito’s pretty well taken care of.

The horrific and marvelous thing about deciding that you are an artist is this: you are two-three steps detached from 42,000 people in a stadium of 42,024 (last night’s count). It is not the pleasure of elitism; In fact it’s a very lonely feeling.

For Rilke (and maybe even players like Barry Zito), a guy or gal who would be an artist must cultivate easy loneliness. I cannot enjoy beer, jumbotrons–or acclaim–like most my fellows. But in the privacy and my heart, I live in this hilarious, absurd movie, with moments of dark, dark comedy, and transcendent beauty.

I am a mirror, not a jumbotron. Life becomes the stuff of data. and most my real, palpable, love-attention, goes to a few people. The victory of knowing who you are and what you’re about is a far, far better thing than a hometown win.

The rest is the stuff of good books, and a successful poem, song, pho-to, post, article “is sweet even deep in the cheap seats.”

Studio City

I am writing this as I descend into the zombie-filled San Fernando Valley, literally, in the backseat of a Honda SUV. This place used to torture me, and now it has no power. This is a place of haunted beauty and mythical broken lives. I feel calm and content.

This afternoon, as the shadows lengthen in the magnolias, pines, and inauthentic palms of Laurel Canyon, I feel peace, clarity and freedom from the mysto-smog that rises beneath the Verdugo Mountains.

I’ve been back in the States for 14 days after a year without touching US soil. I’ve been working abroad for four years, but this was with intermittent returns to San Diego and Los Angeles.

The “reverse culture shock” is more potent this time. I like “RCS.” I don’t know why I diagnose opportunities to evolve. “Reverse culture shock,” is disorientation that leads to new orientation. There is some torture, like in the dental chair—and like in the dental chair, the smile is renewed and deepened.

America is free, but there is also an iron maiden-machine that utilizes the “slings and arrows” of psychological torture. We live in a world that promotes communal and corporate vampirism. This is most clear in the smoggy Valley billboards shamelessly advertising our fascination with vampirism (True BloodNew MoonSplit et al). We celebrate our independence, our enlightenment, our augmentation. But we’re tortured by vampirism within and without. We consume and are left desire more to consume.

We are tortured by the guy/gal we cannot have and possess; the privileged guy/gal is tortured by the inadequacy of the opposite sex to satiate his/her lust or kill the Big Lonely. We are tortured in our jobs; we are tortured in our unemployment.

We receive a kind or flirtatious look from a stranger, we witness a peerless sunset, we achieve something and our accomplishment echoes through the cubical canyons. We are tortured because we’d have that moment spread out over all eternity, and it is just as soon gone.

But I’ve also noticed that it is only my clawing, lurching, lusting zombie-self that is being tortured. It is only the zombie that needs death, and that death is torture. If there is something that I’ve achieved—a kind of mythic purpose to living abroad–it is to recognize the value of torture and the way to suffer peacefully.

This near where I lived four years ago, but traveling and detachment has brought me this wonderful new internal operating software that allows me to enjoy without possessing.

In South America, I’ve seen the suffering of legless people on the streets, but at the risk of sounding melodramatic, most are not tortured. I know they suffer, sure, but the zombie is dead and the fine refined human remains. Only the living zombie needs death. I have learned to welcome torture and so experience the death.

The zombie continues to die, and only the human remains. I will “keep rockin’ in the free world” (until July 29), but I know better than to think a democratic society has the market cornered on freedom. Freedom is in the realm Crystal Street calls “The Third Place.”

This is where my zombie self is dead and I have no desire to possess.  I can walk through Nordies and see the sorrow in all the well-dressed, manicured and tortured zombies in search of “The Third Place.” I feel sorrow, but I am no longer tortured. And there is a humanizing sweetness in all sorrow.

This is not my home, and I do not desire it. It’s beautiful, true. The human can enjoy without possessing; and this place is filled with the intimations of childhood and eternity.

The future stands firm and still, my dear Franz, but we are moving in infinite space –Rilke

Scientists speculate that the fourth dimension is the derivative of space over time. The fourth dimension of a lifetime–were it available to our consciousness–might be looking at timelapse photography. I see the timelapse of the life like a living novel that intimates our complex and untranslatable personhood.

Narrative identity is the transcendent self–something that cannot be worn, tattooed, or put on a resume.

Sites dedicated to personal branding, creative empowerment, and multipotentiality,empower me to move in infinite space: to recognize how the powerful present is filled with infinite opportunity to shut out corporate brand and to own our untranslatable narrative identity. I begin to pay attention to my minutes, moments and days, as I envision this time-lapsing novel.

Perhaps the first thing to recognize is how we are a mosaic primal archetypal forms and not a job. The second thing to recognize that our life–our function and our form–is the tale of how we’ve developed and used this potential.

I find I am most confident, creative, and other-centered*, when I am listening to my narrative and appropriating my talents. The stuff of our life becomes a far more radical resource than money or perceived influence. Everything that happens is the stuff of a private, powerful myth.

This is why psychology has been a burgeoning cashchow over 100 years: good shrinks listen to our stories and bind these seemingly dissonant life moments into a tidier, more symphonic lifestory.

Our parents taught us to “look both ways before crossing the street.” That was to survive. Something ineffible–even transcendent–happens when we begin to “look both ways” while we walk through all moments. We get glimpses from a four dimensional–if not eternal–vantage point. We see the way the threads–whether windfalls, wind variables, griefs, “whips,” “scorns,” or lottery wins–are threaded into a Great Story.

Finally, when we begin to listen to our narrative and own our narrative identity, we are less apt to look at billboards, credit-lines, diplomas, self-help books, and entertainment rags. We no longer “measure our worth against the crowd.” In fact, we begin to feel sorrow for those lost in dark and dusky-low-circadian gloomdoms of surrogate existence.

With love, dearest Franzes and Fernandas,

Mark

*And the great paradox, to me, is that an “other centered life” is a happier life. I am lit up when I see someone lifted out of a surrogate experience.

So while we were gone most of our friends had babies. The ones that had babies before had more babies. And, as I could have guessed, the former babies are now children.

There is something that is torturous and clarifying about children. They require massive amounts of adult time, energy and attention. But they teach you, through rigorous and authentic neediness, that life is primally other-centered.
We have one friend with a child named “C” who smiles with his whole face. He also contorts his face into a warp-spasm when he is about to lovingly attack an adult.

Money is irrelevant in conversations with infants. Toddlers begin to understand the morality of sharing. This, still, is a far more relevant moral question. Money has always just been a middleman (that turns into a boogeyman); whether-and-how-much to share is far a more meaningful and complicated question.

Infants have a few needs: air, food, water, pee, poo, and sleep. And love. In 13 years sex is thrown in, and everything else becomes complicated.

Toddlers remind me that love is more important than money, success or accomplishments. The primary currency of the infant is love; the child’s primary trauma is the absence of love. This reminds me that if I focus on money, success or accomplishments, I will be eviscerated against the sawtooth rocks of reality.

Babies use things and love people intuitively; adults tend to use people and love things. The child that doesn’t listen to these adults becomes a leader and a hero.

Babies often throw out the toy, and find an imaginative use for the packaging.

Babies have personalities. They are at ease with the fact of themselves, without the need to rationalize the unity in the bond of love.

Babies have a stronger sense of the unity in diversity of all living things.

Babies get high by spinning. They like natural highs, and they don’t talk about how prude they are. Either (a), they don’t have access to drugs, or (b), the natural highs are enough.

Potty-training toddlers are not ashamed of potty-stuff. Toddlers are often proud–like puppies–about the way they eat and defecate. One child (“C” again), ran out of the bathroom proud and cheering. What makes us wince is due to our awkward feelings about body functions, is something that toddlers help us to unlearn.

I read Curious George (again, with “C”) and realize that like George, toddlers in contrary desire for structure and primal freedom. Curiosity is more important than knowledge; what we know from children’s stories is true, and since has merely been ratified by the mere facts.

Some infants die–many die everyday of malnutrition, lack of water, gruesome social habits, and the everyday tragic gliches. A baby’s death is tragic. Perhaps to the unknowing child, I think it is a shortcut to the final rite-of-passage in which we no longer feel the absence of love. An infant’s death is something to avoid. Every child has the potential to enjoy love and renovate the earth; the child, like our deaths, should be mourned.

But I will not have any mourning that does not follow dancing.

Dancing, which is also intuitive for an infant that has any semblance of motor control, is the movement of one with another. Like a magnet rotating around a charge, a field is created. This creates a field of love. And it is a deep, wordless, and wonderful infection.

“Bye-bye, Wee-Wee,
Bye-bye, Poo-poo,” said Joshua
["Once Upon a Potty," Alona Frankel]

Manu said some of his friends recoiled when he unfriended them. People feel similarly when they are unfollowed. 

We’ve lost the nerve to say goodbye, but the soul of life is its brevity. There is great freedom in allowing Death to work in past relationships, past projects–all the works of hand and heart.

There is a tradition of ghosts in most cultures. Ours are kept in the movie theater. And so I have been afraid to let go of the false “spiritual presence” of people that have gone; I have freedom in letting the memories/profiles die.

In “Tangled Up in Blue” Bob Dylan lamented that his former friends are “all illusions to [him] now.” Facebook can let us know that some are “mathematicians, some are carpenter’s wives,” but  we don’t really know “what they do with their lives.”

We only really, actually, truly know someone in the still, small place of the attentive presence.

When the Portuguese sailors said goodbye to the explorers they invented a word, Saudade, because they didn’t have one to express the feeling that they were saying goodbye to their “heroes” without any expectation of return. This was deeper than good-bye. This was, “I love you and I may never see you again.”

“The thing is to be in a state of constant departure while always arriving” Boat Car Driver, Waking Life

“Let the dead bury the dead” Christ

“Some folk say that in the beginning, people did not die. Rather they cast their skins like snakes and crabs, and thus renewed their youth.” From Micronesian folklore

“Forget about what’s happened; don’t keep going over old history. Be alert, be present. I’m about to do something brand-new/ It’s bursting out! Don’t you see it?” Isaiah the prophet

Rock shows, religious services, #sxsw, et al, are moments of connectivity in the “Cloud of unknowing.” These are cherished, fleeting moments–and meant as Red Bull for the Monday soul.

Whether or not you hope for a New Jerusalem, the way the intimations of death makes these moments more precious.

Go out to the darkness, walk as long as necessary. Then go back and do some social surgery. 

It’s sad, and hurts like hell, but it expands our capacity for those we would love, now. “Good bye” comes from God-b’wit-ye (#godbewithyou). I don’t need to micromanage my memories of you. Nor you, me. But I love you.

Three intimate friends and a tribe of 12 is enough for me. You? 

Mark
If you’re on another journey, feel free to unfollow

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